USA TODAY - 3 hours agoThe prime minister’s office confirmed his death and called him a ‘national treasure.’
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The official web site for the Legendary Sitar Virtuoso Ravi Shankar, his daughter Anoushka Shankar and The Ravi Shankar Foundation.
4 hours ago – Shankar helped millions of classical, jazz and rock lovers in the West discover the centuries-old traditions of Indian music over an eight-decade …
3 hours ago – A composer, trained in both Eastern and Western musical traditions, Mr. Shankar helped foster a worldwide appreciation of India’s traditional …
3 hours ago – His music transcended trends and cultural barriers. Pandit Ravi Shankar’s life, which traversed nearly a century, ended Tuesday.
4 hours ago – Sitar player Ravi Shankar, who popularised Indian music around the world, dies hospital in the United States at the age of 92.
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Ravi Shankar, Composer: Gandhi. Ravi Shankar is a world-renowned musician, composer, performer, and scholar of classical Indian music. He is one of the …
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|Mishra Piloo||1963||India’s Master Musician|
|Ragas in Minor Scale||1990||Passages|
|Tabla Solo in Jhaptal||1970||At the Woodstock Festival|
|Vedic Chanting One|
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Pandit Ravi Shankar and Ustad Allah Rakha-Raag Samant Sarang Part 1
Ravi Shankar, Grammy-winning Indian sitar virtuoso, dies at 92
Ravi Shankar, the Grammy Award-winning Indian sitar virtuoso who became the world’s leading representative of South Asian music, exerted a major influence on popular music in the 1960s and was the father of the jazz-pop musician Norah Jones, died Tuesday. He was 92.
Stuart Wolferman, a spokesman for Mr. Shankar, said he died at a hospital near his home in Encinitas, Calif. The cause of death was not immediately available.
Mr. Shankar’s association with the Beatles made him a household name in the West and created “an avalanche of such experiments in the rock and pop world,” South Asian music authority Gerry Farrell once wrote. But first and foremost, Mr. Shankar remained an Indian classical musician who kept the core aesthetics of his ancient art intact in the face of social, artistic and commercial shifts during the 20th century.
One reason Mr. Shankar’s music had such influence over audiences and musicians was the otherworldly quality of its tones and rhythms; the sitar produces more tones than a guitar and is based on a different theory of music. He became appalled at how this aspect of Indian music was integrated into what he called the vulgarity of rock theatrics and the association of his art with drug use.
At the 1968 Monterey Pop Festival in California, Mr. Shankar refused to be in the same evening’s lineup with Jimi Hendrix because of the way the rock guitarist was using his instrument. Hendrix made sexual motions on stage with his guitar and then lit it on fire as a finale.
“People went gaga for it, they loved it,” Mr. Shankar told the London Guardian in 2008. “But for me, the burning of the guitar was the greatest sacrilege possible. I just ran out of there. I told them that even if I had to pay some kind of compensation to get out of playing the festival, I just couldn’t do it.”
He added: “I was extremely unhappy about the superficiality of it all, especially the wrong information that Dr. Timothy Leary and others were propagating — that everyone in India takes drugs. It was a hodgepodge of Kama Sutra, Tantra, yoga, hash and LSD, while the true spiritual quality of our music was almost completely lost.”
Nonetheless, the spirit of Mr. Shankar’s music was not lost on jazz saxophonist John Coltrane. Coltrane, who in midlife had a very religious conversion that included the study of Hinduism, was fascinated by the tonal and rhythmic aspects of Indian music in general and by Mr. Shankar in particular. He even named his son Ravi after Mr. Shankar. (Ravi Coltrane became a prominent saxophonist.)
A highlight for Ravi Shankar, a movie buff, was meeting film stars Clark Gable and Joan Crawford and soaking in jazz and other forms of modern American culture. The dancers also had an extended stay in Paris, where Ravi Shankar edged himself into a cultural firmament that included Anna Pavlova, Cole Porter, Jascha Heifetz and Andres Segovia.
Mr. Shankar recalled in an interview many decades later, Mr. Shankar recalled seeing Segovia, the classical guitarist, “in concert a few times. He was our neighbor when I was a child living in Paris in 1932. He would come to our house, and I’d sit on his lap.”
During his Paris years, Mr. Shankar also met Allauddin Khan, one of India’s foremost musicians and music teachers. Mr. Shankar described Khan as having a spiritual pull that he could not shake. “Suddenly, dancing was not enough,” Mr. Shankar said, and he soon returned to India and became one of Khan’s most devoted sitar pupils. It was at this time that he began a long artistic association with Khan’s son, Ali Akbar Khan, a virtuoso of the sarod, another traditional Indian stringed instrument. In 1941, Mr. Shankar married Allauddin Khan’s daughter Annapurna Devi, a musician skilled in a bass stringed instrument called the surbarha.
- © 1996-2012 The Washington Post
|This article is about a person who has recently died. Some information, such as that pertaining to the circumstances of the person’s death and surrounding events, may change as more facts become known.|
Ravi Shankar performs in Delhi in March 2009
|Birth name||Robindro Shaunkor Chowdhury|
|Born||7 April 1920
Varanasi, United Provinces, British India
|Died||11 December 2012 (aged 92)
San Diego, California, US
|Genres||Hindustani classical music|
|Associated acts||Uday Shankar, Allauddin Khan, Ali Akbar Khan, Lakshmi Shankar, Yehudi Menuhin, Chatur Lal, Alla Rakha, George Harrison, Anoushka Shankar, Norah Jones, The Beatles, John Coltrane|
Ravi Shankar (Bengali: রবি শংকর; born Robindro Shaunkor Chowdhury, 7 April 1920 – 11 December 2012), often referred to by the title Pandit, was an Indian musician and composer who played the plucked-string instrument known as the sitar. He has been described as the best known contemporary Indian musician.
Shankar was born in Varanasi and spent his youth touring Europe and India with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956.
In 1956, he began to tour Europe and the United States playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and rock artist George Harrison of The Beatles. Shankar engaged Western music by writing concerti for sitar and orchestra and toured the world in the 1970s and 1980s. From 1986 to 1992 he served as a nominated member of the upper chamber of the Parliament of India. Shankar was awarded India’s highest civilian honour, the Bharat Ratna, in 1999, and received three Grammy Awards. He continued to perform in the 2000s, sometimes with his daughter, Anoushka.
Shankar was born 7 April 1920 in Varanasi to a Bengali Brahmin family as the youngest of seven brothers. Shankar’s Bengali birth name was Robindro Shaunkor Chowdhury. His father, Shyam Shankar, a Middle Temple barrister and scholar who served as dewan of Jhalawar, used the Sanskrit spelling of the family name and removed its last part. Shyam was married to Shankar’s mother Hemangini Devi, but later worked as a lawyer in London, England. There he married a second time while Devi raised Shankar in Varanasi, and did not meet his son until he was eight years old. Shankar shortened the Sanskrit version of his first name, Ravindra, to Ravi, for “sun”.
At the age of ten, after spending his first decade in Varanasi, Shankar went to Paris with the dance group of his brother, choreographer Uday Shankar. By the age of 13 he had become a member of the group, accompanied its members on tour and learned to dance and play various Indian instruments. Uday’s dance group toured Europe and America in the early to mid-1930s and Shankar learned French, discovered Western classical music, jazz, and cinema, and became acquainted with Western customs. Shankar heard the lead musician for the Maihar court, Allauddin Khan, in December 1934 at a music conference in Kolkata and Uday convinced the Maharaja of Maihar in 1935 to allow Khan to become his group’s soloist for a tour of Europe. Shankar was sporadically trained by Khan on tour, and Khan offered Shankar training to become a serious musician under the condition that he abandon touring and come to Maihar.
Training and work in India
Shankar’s parents had died by the time he returned from the European tour, and touring the West had become difficult due to political conflicts that would lead to World War II. Shankar gave up his dancing career in 1938 to go to Maihar and study Indian classical music as Khan’s pupil, living with his family in the traditional gurukul system. Khan was a rigorous teacher and Shankar had training on sitar and surbahar, learned ragas and the musical styles dhrupad, dhamar, and khyal, and was taught the techniques of the instruments rudra veena, rubab, and sursingar. He often studied with Khan’s children Ali Akbar Khan and Annapurna Devi. Shankar began to perform publicly on sitar in December 1939 and his debut performance was a jugalbandi (duet) with Ali Akbar Khan, who played the string instrument sarod.
Shankar completed his training in 1944. Following his training, he moved to Mumbai and joined the Indian People’s Theatre Association, for whom he composed music for ballets in 1945 and 1946. Shankar recomposed the music for the popular song “Sare Jahan Se Achcha” at the age of 25. He began to record music for HMV India and worked as a music director for All India Radio (AIR), New Delhi, from February 1949 to January 1956. Shankar founded the Indian National Orchestra at AIR and composed for it; in his compositions he combined Western and classical Indian instrumentation. Beginning in the mid-1950s he composed the music for the Apu Trilogy by Satyajit Ray, which became internationally acclaimed.
International career 1956–1969
V. K. Narayana Menon, director of AIR Delhi, introduced the Western violinist Yehudi Menuhin to Shankar during Menuhin’s first visit to India in 1952. Shankar had performed as part of a cultural delegation in the Soviet Union in 1954 and Menuhin invited Shankar in 1955 to perform in New York City for a demonstration of Indian classical music, sponsored by the Ford Foundation. Shankar declined to attend due to problems in his marriage, but recommended Ali Akbar Khan to play instead. Khan reluctantly accepted and performed with tabla (percussion) player Chatur Lal in the Museum of Modern Art, and he later became the first Indian classical musician to perform on American television and record a full raga performance, for Angel Records.
Shankar heard about the positive response Khan received and resigned from AIR in 1956 to tour the United Kingdom, Germany, and the United States. He played for smaller audiences and educated them about Indian music, incorporating ragas from the South Indian Carnatic music in his performances, and recorded his first LP album Three Ragas in London, released in 1956. In 1958, Shankar participated in the celebrations of the tenth anniversary of the United Nations and UNESCO music festival in Paris. From 1961, he toured Europe, the United States, and Australia, and became the first Indian to compose music for non-Indian films. Chatur Lal accompanied Shankar on tabla until 1962, when Alla Rakha assumed the role. Shankar founded the Kinnara School of Music in Mumbai in 1962.
Shankar befriended Richard Bock, founder of World Pacific Records, on his first American tour and recorded most of his albums in the 1950s and 1960s for Bock’s label. The Byrds recorded at the same studio and heard Shankar’s music, which led them to incorporate some of its elements in theirs, introducing the genre to their friend George Harrison of The Beatles. Harrison became interested in Indian classical music, bought a sitar and used it to record the song “Norwegian Wood (This Bird Has Flown)“. This led to Indian music being used by other musicians and created the raga rock trend.
Harrison met Shankar in London in 1966 and visited India for six weeks to study sitar under Shankar in Srinagar. During the visit, a documentary film about Shankar named Raga was shot by Howard Worth, and released in 1971. Shankar’s association with Harrison greatly increased Shankar’s popularity and Ken Hunt of Allmusic would state that Shankar had become “the most famous Indian musician on the planet” by 1966. In 1967, he performed at the Monterey Pop Festival and won a Grammy Award for Best Chamber Music Performance for West Meets East, a collaboration with Yehudi Menuhin. The same year, the Beatles won the Grammy Award for Album of the Year for Sgt. Pepper’s Lonely Hearts Club Band which included “Within You Without You” by Harrison, a song that was influenced by Indian classical music. Shankar opened a Western branch of the Kinnara School of Music in Los Angeles, California, in May 1967, and published an autobiography, My Music, My Life, in 1968. He performed at the Woodstock Festival in August 1969, and found he disliked the venue. In the 1970s Shankar distanced himself from the hippie movement.
International career 1970–2012
In October 1970 Shankar became chair of the department of Indian music of the California Institute of the Arts after previously teaching at the City College of New York, the University of California, Los Angeles, and being guest lecturer at other colleges and universities, including the Ali Akbar College of Music. In late 1970, the London Symphony Orchestra invited Shankar to compose a concerto with sitar; Concerto for Sitar and Orchestra was performed with André Previn as conductor and Shankar playing the sitar. Hans Neuhoff of Musik in Geschichte und Gegenwart has criticised the usage of the orchestra in this concert as “amateurish”. George Harrison organized the charity Concert for Bangladesh in August 1971, in which Shankar participated. Interest in Indian music had decreased in the early 1970s, but the concert album became one of the best-selling recordings featuring it and won Shankar a second Grammy Award.
During the 1970s, Shankar and Harrison worked together again, recording Shankar Family & Friends in 1973 and touring North America the following year to a mixed response after Shankar had toured Europe with the Harrison-sponsored Music Festival from India. The demanding schedule weakened Shankar, and he suffered a heart attack in Chicago in November 1974, causing him to miss a portion of the tour. In his absence, Shankar’s sister-in-law, singer Lakshmi Shankar, conducted the touring orchestra. The touring band visited the White House on invitation of John Gardner Ford, son of U.S. President Gerald Ford. Shankar toured and taught for the remainder of the 1970s and the 1980s and released his second concerto, Raga Mala, conducted by Zubin Mehta, in 1981. Shankar was nominated for an Academy Award for Best Original Music Score for his work on the 1982 movie Gandhi, but lost to John Williams‘ E.T. He served as a member of the Rajya Sabha, the upper chamber of the Parliament of India, from 12 May 1986 to 11 May 1992, after being nominated by Indian Prime Minister Rajiv Gandhi. Shankar composed the dance drama Ghanashyam in 1989. His liberal views on musical cooperation led him to contemporary composer Philip Glass, with whom he released an album, Passages, in 1990.
Shankar underwent an angioplasty in 1992 due to heart problems, after which George Harrison involved himself in several of Shankar’s projects. Because of the positive response to Shankar’s 1996 career compilation In Celebration, Shankar wrote a second autobiography, Raga Mala, with Harrison as editor. He performed in between 25 and 40 concerts every year during the late 1990s. Shankar taught his daughter Anoushka Shankar to play sitar and in 1997 became a Regent’s Lecturer at University of California, San Diego. In the 2000s, he won a Grammy Award for Best World Music Album for Full Circle: Carnegie Hall 2000 and toured with Anoushka, who released a book about her father, Bapi: Love of My Life, in 2002. Anoushka performed a composition by Shankar for the 2002 Harrison memorial Concert for George and Shankar wrote a third concerto for sitar and orchestra for Anoushka and the Orpheus Chamber Orchestra. In June 2008, Shankar played what was billed as his last European concert, but his 2011 tour includes dates in the United Kingdom.
Shankar performed his final concert, with daughter Anoushka, on November 4, 2012 at the Terrace Theater in Long Beach, California.
Style and contributions
Shankar developed a style distinct from that of his contemporaries and incorporated influences from rhythm practices of Carnatic music. His performances begin with solo alap, jor, and jhala (introduction and performances with pulse and rapid pulse) influenced by the slow and serious dhrupad genre, followed by a section with tabla accompaniment featuring compositions associated with the prevalent khyal style. Shankar often closed his performances with a piece inspired by the light-classical thumri genre.
Shankar has been considered one of the top sitar players of the second half of the 20th century. He popularized performing on the bass octave of the sitar for the alap section and became known for a distinctive playing style in the middle and high registers that used quick and short deviations of the playing string and his sound creation through stops and strikes on the main playing string. Narayana Menon of The New Grove Dictionary noted Shankar’s liking for rhythmic novelties, among them the use of unconventional rhythmic cycles. Hans Neuhoff of Musik in Geschichte und Gegenwart has argued that Shankar’s playing style was not widely adopted and that he was surpassed by other sitar players in the performance of melodic passages. Shankar’s interplay with Alla Rakha improved appreciation for tabla playing in Hindustani classical music. Shankar promoted the jugalbandi duet concert style and introduced new ragas, including Tilak Shyam, Nat Bhairav and Bairagi.
Shankar won the Silver Bear Extraordinary Prize of the Jury at the 1957 Berlin International Film Festival for composing the music for the movie Kabuliwala. He was awarded the Sangeet Natak Akademi Award for 1962, and was named a Fellow of the academy for 1975. Shankar was awarded the three highest national civil honours of India: Padma Bhushan, in 1967, Padma Vibhushan, in 1981, and Bharat Ratna, in 1999. He received the music award of the UNESCO International Music Council in 1975, three Grammy Awards, and was nominated for an Academy Award. Shankar was awarded honorary degrees from universities in India and the United States. He received the Kalidas Samman from the Government of Madhya Pradesh for 1987–88, the Fukuoka Asian Culture Prize in 1991, the Ramon Magsaysay Award in 1992, and the Polar Music Prize in 1998. In 2001, Shankar was made an Honorary Knight Commander of the Order of the British Empire by Elizabeth II for his “services to music”. Shankar was an honorary member of the American Academy of Arts and Letters and in 1997 received the Praemium Imperiale for music from the Japan Art Association. The American jazz saxophonist John Coltrane named his son Ravi Coltrane after Shankar. In 2010, Shankar received an Honorary Doctor of Laws from the University of Melbourne, Australia.
Personal life and family
Shankar married Allauddin Khan‘s daughter Annapurna Devi in 1941 and a son, Shubhendra Shankar, was born in 1942. Shankar separated from Devi during the 1940s and had a relationship with Kamala Shastri, a dancer, beginning in the late 1940s. An affair with Sue Jones, a New York concert producer, led to the birth of Norah Jones in 1979. In 1981, Anoushka Shankar was born to Shankar and Sukanya Rajan, whom Shankar had known since the 1970s. After separating from Kamala Shastri in 1981, Shankar lived with Sue Jones until 1986. He married Sukanya Rajan in 1989.
Shubhendra “Shubho” Shankar often accompanied his father on tours. He could play the sitar and surbahar, but elected not to pursue a solo career and died in 1992. Norah Jones became a successful musician in the 2000s, winning eight Grammy Awards in 2003. Anoushka Shankar was nominated for a Grammy Award for Best World Music Album in 2003. Both Anoushka and her father were nominated for Best World Music Album at the 2013 Grammy Awards for separate albums.
On 6 December 2012, Shankar was admitted to Scripps Memorial Hospital in La Jolla, San Diego after complaining of breathing difficulties. He died on 11 December at around 16:30 Pacific Time (UTC−8).According to the The Ravi Shankar Foundation, Shankar had suffered from upper-respiratory and heart issues over the past year and underwent heart-valve replacement surgery on 6 December 2012.
His death elicited reactions from the Indian political and cultural spheres. Prime Minister Manmohan Singh‘s office wrote on Twitter that he was “a national treasure and global ambassador of India’s cultural heritage.” His cabinet colleague Minister of State for Communications & IT Milind Deora wrote: “Being a maestro wasn’t his only achievement. Pandit Ravi Shankar sold Brand India better than anyone else. RIP.” Gujurat Chief Minister Narendra Modi added on Twitter: “Sitar maestro Pandit Ravi Shankar was the legendary musician who gave new identity to Indian classical music. May his soul rest in peace.” While, India’s Ambassador to the U.S. Nirupama Rao also wrote on Twitter: “Pandit Ravi Shankar: his last concert was particularly poignant. Anoushka and he played together in perfect unison. A torch was passed.” Other apolitical reactions included: Bollywood composer Vishal Dadlani who wrote on Twitter: “The world’s best-known exponent of Indian music, he influenced the Beatles, and hence everything since! RIP Pt. Ravi Shankar.” Santoor players Shiv Kumar Sharma said: “It is a great loss, not just to Indian music but to world music. He was a world musician.” Novelist Hari Kunzru added on Twitter: “RIP Pandit Ravi Shankar. My father performed hand surgery on him. Stakes not low there…” Spiritual guru Sri Sri Ravi Shankar (not related) also wrote on Twitter: “Pandit Ravi Shankar was a legend in music and he took classical music to new heights.” His death was also noted in the international and foreign language media.
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- ^ http://in.reuters.com/article/2012/12/12/ravi-shankar-sitar-reactions-idINDEE8BB02G20121212
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- Lavezzoli, Peter (2006). The Dawn of Indian Music in the West. Continuum International Publishing Group. ISBN 0-8264-1815-5.
- Massey, Reginald (1996). The Music of India. Abhinav Publications. ISBN 81-7017-332-9.
- Menon, Narayana (1995) . “Shankar, Ravi”. In Sadie, Stanley. The New Grove Dictionary of Music and Musicians. 17 (1st ed.). London: Macmillan Publishers. ISBN 1-56159-174-2.
- Neuhoff, Hans (2006). “Shankar, Ravi”. In Finscher, Ludwig (in German). Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik. 15 (2nd ed.). Bärenreiter. ISBN 3-7618-1122-5.
- Schaffner, Nicholas (1980). The Boys from Liverpool: John, Paul, George, Ringo. Taylor and Francis. ISBN 0-416-30661-6.
- Sharma, Vishwamitra (2007). Famous Indians of the 20th Century. Pustak Mahal. ISBN 81-223-0829-5.
- Slawek, Stephen (2001). “Shankar, Ravi”. In Sadie, Stanley. The New Grove Dictionary of Music and Musicians. 23 (2nd ed.). London: Macmillan Publishers. ISBN 0-333-60800-3.
|Find more about Ravi Shankar at Wikipedia’s sister projects|
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|Quotations from Wikiquote|
- “Ravi Shankar”. Official website.
- “East Meets West Music”. Ravi Shankar Foundation.
- Ravi Shankar at Allmusic
- Ravi Shankar at the Internet Movie Database
A “Who’s Who” of Famous Sitar Players
As any musician or fan will tell you, the music of the sitar is truly unique. Quite simply, sitar music can enrich any tune or piece. But while sitar music is easy to enjoy, it’s not so easy to master. In fact, sitar playing can stump even the most skilled musicians. If someone can play the sitar, they’ve accomplished a valuable musical feat!
An Overview of Famous Sitar Players
When it comes to influential and famous sitar players, most are of Indian and Middle Eastern descent. This is only natural, as sitar music is a hallmark of these regions. One of the most famous sitar players is Ravi Shankar. A noted classical musician, Shankar even made appearances at non-classical events, such as the original Woodstock and 1967’s Monterey Pop Festival! However, it was his close friendship with the “Quiet Beatle,” George Harrison and his bandmates that really helped to popularize sitar music worldwide.
Such memorable tunes as “The Inner Light,” “Love You To,” Norwegian Wood (This Bird Has Flown),” as well as much of the Sgt. Pepper’s Lonely Hearts Club Band album, prominently spotlight sitar music. To get a real flavor for the world of sitar music, click on Sitars.net. Here, you’ll find a wide array of famous sitar players that have achieved respect, success and fame among their musical peers and music fans. Here are just a few:
- Pandit Nikhil Banerjee – a child prodigy revered as one of the 20th Century’s greatest traditional sitarists.
- Anjan Chattopadhyay – a leader in India’s classical music community.
- Annapurna Devi – one of the most accomplished and famous sitar players, she became a renowned sitar instructor. She was also Ravi Shankar’s wife.
- Lowell George – the lead vocalist in the band Little Feat, he was a highly skilled guitarist and famous sitar player.
- Al Gromer Khan – a famous sitar player from Germany. He plays world, ambient, new age and electronic music.
- George Harrison – lead guitarist for the Beatles and Traveling Wilburys, as well as a best-selling solo artist. He was one of the world’s most famous sitar players, and was a devoted to Indian music and culture, in general.
- Justin Hayward – the singer, guitarist and composer for the Moody Blues
- Brian Jones – Rolling Stones co-founder, guitarist and multi-instrumentalist. Inspired by George Harrison, he was an accomplished, famous sitar player.. His sitar playing appeared on “Paint It Black” and “Street Fighting Man.”
- The Khan Family – this multi-talented musical family comprises some of the most exceptional and famous sitar players in the world. They include: Kirit Khan, Chhote Rahimat Khan, Enayat Khan, Hidayat Khan, Imdad Khan, Imrat Khan, Irshad Khan, Nishat Khan, Shafaatullah Khan, Shujaat Husain Khan, Vilayat Khan, and Wahid Khan.
- Gabby La La – a vocalist and famous sitar player, this talented multi-instrumentalist is equally skilled on the ukulele, accordion and theremin. A popular solo artist, she’s played with Les Claypool and other artists, as well.
- Ustad Shahid Parvez Khan – a member of the Khan family of famous sitar players, he is renowned for pushing the boundaries of sitar music.
- Prem Joshua – a German sitarist, this multi-instrumentalist blends Eastern and Western musical influences.
- Reenat Fauzia – considered one of the best female sitarists. This famous sitar player is a renowned sitar instructor and Bangladeshi celebrity. She’s released several critically hailed albums, as well.
- Emily Robison – founding member, vocalist, songwriter and multi-instrumentalist with the Dixie Chicks. Robinson is skilled on many stringed instruments, including the sitar, banjo, dobro, guitar, and mandolin.
- Anoushka Shankar – the daughter of Ravi, she’s a talented and famous sitar player and composer.
- Ronnie Wood – guitarist and bassist for the Rolling Stones, Wood’s also an accomplished and famous sitar player.
As you can see, the sultry, exotic and melodic sounds of the sitar beckon a wide variety of male and female musicians, regardless of their background or musical genre. But this is just a sampler of the famous sitar players who have graced the world’s stages.